Posts Tagged ‘ Cinema ’

The Great Gatsby

The-Great-GatsbyIt’s something we’ve all been through – you finish reading The Great Gatsby and think to yourself, yeah not bad, but it would be much better caked in CGI and set to a Jay-Z soundtrack.

Hunger no more. Baz Luhrmann has been handed the keys to Fitzgerald’s melancholy masterpiece and has gleefully smashed it straight into a wall. He was the obvious choice – after all, The Great Gatsby has big parties in it, right? No brainer: bring on the master of the cinematic blowout – the thrower of all-singing, all-prancing zoomfests; the man who can make vomit come out of your eyes; the man who can take his high-pressure stylistic hose and blast away all the annoying subtlety of the book. Bring on the Bazza. Read more

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Pilgrim Hill

“Plenty of people are on to the emptiness, but it takes real guts to see the hopelessness.”

So speaks John Givings, the lucid schizophrenic of Revolutionary Road. Jimmy, the farmer we encounter in Pilgrim Hill, would meet with John’s approval. As the forlorn hero of the piece, he shows real guts. Jimmy doesn’t speak like a hero, he doesn’t act like a hero, he doesn’t undergo a heroic transformation of character. But he does face the reality of his existence like a hero, seeing the hopelessness around him with perfect clarity, and it is this brave acceptance of his situation that renders him painfully sympathetic. Read more

Compliance

Reality is all the rage in Hollywood.  Whether it’s political Oscar bait, schmaltzy biopics, or those horror films that dubiously claim to be ‘based on real events’, modern audiences apparently crave a bit of authenticity.  Fiction is passé, imagination is out – we want stories about real people doing real things, and we want them here, and we want them now.

But the ‘reality’ of cinema is usually of a specific kind – the kind that takes all the complexity and rawness of a historical event and, for better or worse, moulds it into a two hour jaunt with character arcs and thematic unity.  In short, narrative technique attempts to tame the sprawling chaos of history in the hope that a more distilled truth will emerge.  Sometimes it succeeds (Capote), sometimes is does not (Lincoln). Read more

Side Effects

sideeffectsIn the movie world there are certain clichés for which we should be grateful. For example, when a film is described as a ‘heart-warming comedy’ we are instantly assured of its awfulness. Similarly, by placing the words ‘Sarah Jessica Parker’ on a promotional poster, the studio is graciously informing us that only stupid people need attend.

So what of the ‘smart thriller’? Without doubt a more difficult beast to predict, but certain behavioural patterns are observable. These films tend to be interesting up to a narrative point, after which they hurtle into a mandatory, significantly less interesting denouement. While the first section can offer ambiguity, delicacy and mystery, the conclusion usually just twists a few plots, ties some loose ends, and sends us on our way with a vague sense of disappointment. Read more

Mama

mama_001Guillermo del Toro’s latest offering Mama is a supernatural horror movie about a mother’s love. When businessman Jeffrey (Nikolaj Coster-Waldau) kills his wife he flees with his two small daughters Victoria (Megan Charpentier) and Lilly (Isabelle Nelisse). When their father disappears the two little girls are left alone in a run down cabin deep in the woods, well nearly alone. Read more

Film 2013 : A Preview Of What’s To Come

Like last year 2013 brings  a lot of big blockbuster movies filled with comic book superheroes, sequels and 80′s remakes. Arnold Schwarzenegger, Bruce Willis, and Tom Cruise are back in the mix, saving the world and killing all the bad guys. Even Stephanie Meyers can’t leave us alone after her schmalzy “Twilight Saga” has finally come to an end and gives us a parasitic alien in the form of Saoirse Ronan. Sometimes it really does feel like Hollywood has run out of ideas and just regurgitates what has already proven to be box-office gold. But that isn’t always a bad thing, as you’ll know what you’re getting for your money when you buy a ticket.

Here is a quick rundown of some of the big films coming out throughout the year, but as we know in films, timelines are fluid so see the months as guidelines not craved in stone.

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January starts of with a big bang and Arni in “The Last Stand”. Schwarzenegger is the disgraced LAPD officer Ray Owens who is serving out his time in the sleepy little town Summerton Junction. When drug lord Cortez (Eduardo Noriega) shows up all hell breaks lose and Schwarzenegger is back to his good old standard of killing people with big guns. Maybe not a film for the Oscars but if you like action movies and are an Schwarzenegger fan “The Last Stand” won’t disappoint, even if the plot is a little weak and the acting a little wooden.

Other Films like “Lincoln”, “The Sessions” and Django Unchained” have already been winning prizes and if you want to know more about them just follow the links.

February is filled with lots of light-hearted comedy in Films like “This is 40”, “Parental Guidance”, “I Give It A Year” and “Wreck-it Ralph”. But there is a good balance with dramas like Oscar nominee “Flight” and Bafta nominee “Hitchcock”.

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However the biggest blockbuster could possibly be action film “A Good Day to Die Hard”. Bruce Willis returns as John McClane and this time it’s his son Jack (Jai Courtney) who needs help. When he discovers that his son is actually a CIA agent trying to prevent the Russians from blowing up the world with nuclear weapons the father and son team up and try and save the day.

March is a month of science fiction and fantasy with “Hansel and Gretel: Witch Hunters” tracking down evil hags and killing them. “G.I Joe” makes a return to cinemas and  Percy Jackson, Poseidon’s son, is also back in “Percy Jackson: Sea of Monsters”. Nicholas Hoult is “Jack the Giant Slayer” and Saoirse Ronan plays “The Host” to a parasitic alien.

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The one to watch is probably “Elysium”. With Director Neil Blomkamp (District-9) at its helm this sci-fi thriller looks promising. In the year 2159 the human population is split in two, the very wealthy who live on the man made space station Elysium and the rest who live in the slums of earth. Matt Damon plays the hero Max who is trying to bring equality back. Jodie Foster is his adversary Secretary Delacourt who will stop at nothing to keep the wealthy rich.

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April, this is where things start to get a little hazy but it looks like we’ll be seeing a remake of Stephen King’s “Carrie” return to the big screen.  Chloe Grace Moretz (Hit Girl from Kick Ass) replaces Sissy Spacek as Carrie, a shy high school kid who discovers her telekinetic powers and unleashes some supernatural nastiness on her peers.  And it could be that this is the month that we see Tom Cruise again in his upcoming film “Oblivion”.

May could be the mega month of releases with “Iron Man 3”, “Star Trek 2”, “The Hangover 3”, “Fast Six” (Fast and the Furious franchise) and the  Lone Ranger all hoping to lure us into the cinema.

Although the “Lone Ranger” is a new project for Walt Disney Pictures it does reunite Johnny Depp and his Pirates Director Gore Verbinski.  Depp is Tonto who tells the tales of John Ried (Armie Hammer) or the Lone Ranger as he’s better known.

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But May is also said to be the month that the long awaited “Great Gatsby “ finally graces our screens.  With Leonardo DiCaprio as Jay Gatsby and Toby Maguire as Nick Carraway it looks like it could have been worth the wait.

June brings back the “Man of Steel”. This time round it’s handsome Henry Cavill (Cold Light of Day) who is clad in the blue tights and red panties but that isn’t his only support, Russell Crowe, Kevin Costner and Laurance Fishburne all make an appearance.

Brad Pitt may prove all doubters wrong that the project “World War Z” was filmable after all, when we see him starring in the Paramount production.

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And Hugh Jackman has let his hair grow again for his starring role in “The Wolverine”. This time around it’s off to Japan, who knows maybe those claws will prove useful when making sushi.

But Will Smith is also back in M Night Shyamalan’s “After Earth”. This action Sci-fi  film is only directed by Shyamalan so hopefully it will be better than “The Last Airbender”.

July reunites Stephen Spielberg with science fiction in his film “Robopocalypse”. The film is based on the book by Daniel H Wilson and seems quite similar to “I, Robot”.

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But again Hollywood gives us sequels with “Grown-ups 2” “The Smurfs 2”and “Dispicable Me 2”, and “Jurassic Park” will be stomping its way back into Cinemas in 3D on it’s 25th (yes really) birthday.

“Dirty Dancing” is being re-made and said to be released in June. But after the disastrous “Total Recall”, “Fame” and “Footloose” reboots of the last few years maybe this isn’t such a wise idea. After all can anyone really replace Patrick Swayze as Jonny and Jennifer Grey as Baby? Some films should just be left alone!

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August gives us the return of the retired, extremely dangerous crowd in “RED 2”, who knows maybe like “The Expendables” this will be better second time round. But “300:Battle of Artemisia” will at least give us scantily clad men with eight packs to watch, even I do yell a lot! And even “Sin City: A Dame To Kill For” and “Robocop” seem to be on the list of films to come out in the middle of Summer.

As for the rest of the films that are coming out this year things seem to be even less plannable. But some of the other 2013 big blockbusters that will be beckoning you to take a seat and nibble some pop-corn are:

“Oz the Great and Powerful” (March)

“Kick Ass “ (July?)

“The Mortal Instruments: City of Bones” (possibly August)

“Monster University”

“Enders Game” (October)

“Thor: The Dark World” (November)

“The Hunger Games: Catching Fire” (possibly in November)

“The Hobbit: Desolation of Smaug” (December)

By Jensine-Bethna Wall

Monsters, Inc. 3D

monsters3dEleven years after it was first released Monsters, Inc. is back on our screens and this time it’s in 3D.

All the monsters are back, top scarer Sulley (voiced by John Goodman whose voice you might recognise from the beach master in Happy Feet 2 or as that of the voice of the infamous Dan Connor from the hit American show Rosanne), Sulley’s hilarious side kick Mike Wazowski (voiced by Billy Crystal) and of course the cutest heartbreaker to ever set foot on animation, Boo. Incredibly the cute childlike babble of the irresistible Boo is played by Mary Gibbs who was just five years old when the movie was first released.

The great thing about the re-release of this fantastic movie is that now a whole new generation get to experience the misadventures of all the team at Monsters Corp. and really get to know what is lurking in their wardrobe!

The film is funny and creative and is definitely one to take the children too. For those who have not seen the original, the story follows on the concept of monsters in your closet. The monsters collect the screams from the kids they scare in order to power the energy in the city of Monstropolis (the city where all monsters of varies shapes and sizes live). It follows on to be a story of love and determination, fighting ‘evil’ along the way.

I feel I have to give the 3D glasses a mention because they are fantastic, designed in the turquoise and purple colours of Sulley, two ‘monster hands’ are grasping the sides of the frames.

There may have been a hidden agenda bringing back Monsters, Inc. to our screens with a prequel Monster University being released this coming June 21st, but you certainly won’t hear me complaining as it is a movie that you appreciate the more times you watch it.

Directed by: Peter Docter, David Silverman and Lee Unkrich

Written by: Peter Docter and Jill Culton

Monsters, Inc. will be in Irish cinemas on Friday 18th January 

Mary Byrne

The Impossible

Naomi Watts and Tom Holland in The Impossible

The Impossible is based on the true story of a family who spent their 2004 Christmas Holidays in Thailand and were swept up in the devastating tsunami. Incredibly, although over 230,000 people were killed, the family of five survived and managed to find one another in the chaotic aftermath.

On Christmas morning Henry (Ewan McGregor) and Maria (Naomi Watts) unwrap their presents with their three boys Lucas (Tom Holland), Thomas (Samuel Joslin) and Simon (Oaklee Pendergast) and then play in the hotel pool, enjoying each others company, leaving all work and money worries behind. Suddenly a rumbling silences the playful laughter and within moments the entire family is swept up into a massive wave of water.

Maria finds herself being tossed and turned by brown murky water until she finally finds herself clinging to a tree screaming for her sons and husband.  By some miracle her eldest son Lucas hears her and together they end up in a chaotic hospital with Maria fighting for her life.

Separated from his wife Henry and his two small sons are struggling to come to terms with what has happened. Not willing to give in to despair Henry tries to find Maria and Lucas.

This impossible story makes for a great movie and thankfully director Juan Antonia Bayona and screenwriter Sergio Sanchez opted for a very realistic and gritty approach, there is no Hollywood grandeur or Disney plastic to distract from the emotional story.

However the strength of the film is mostly down to both McGregor and Watts. McGregor as Henry undergoes a very believable transformation from bland tourist to responsible father and husband. In an incredibly emotional scene he delivers a performance of a lifetime when he shows the crippling emotions Henry goes through when calling his wife’s father. Unable to speak and put into words what has happened he breaks down in sobbing tears of grief, fear and overwhelming agony.

Watts as Maria is just as incredible and it is not surprising that her performance is up for an Oscar. Her Maria is strong and caring yet utterly aware of the devastating situation she and her son are in. Struggling to survive she tries not to give in to the pain of her life-threatening injuries and even encourages her son to help as much as he can.

The Impossible is an old fashioned film about pain, devastation and human nature. It doesn’t sugar-coat the horrors of the natural disaster and at times is very vivid in its uncompromising portrayal. But in its center is the triumph of human kind, not diminishing any emotion, be it fear, pain or joy, making The Impossible a rare film and one that you will definitely need your tissues for.

By Jensine-Bethna Wall

The Sessions

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Boston born poet and journalist Mark O’Brien is the inspiration for Ben Lewin’s latest film The Sessions. Following a crippling attack of Polio as a child O’Brien lives his life mostly confined to the restrictions of an iron lung.  The Sessions   follows O’Brien’s autobiographical writings of his sexual coming of age.

In 1988, at the age of 38, Mark O’Brien (John Hawkins) decides to lose his virginity. Restricted by his inability to move anything but his head he seeks the help of professional sex surrogate Cheryl Cohen-Greene (Helen Hunt).

In several sessions Cheryl engages with Mark physically and helps him discover and understand his own sexuality.  To better understand these sexual encounters Mark seeks the advice of Father Brendan (William H Macy) and in a series of “confessions” he describes his experiences. These frank discussions between Mark and the often dumbfounded priest are tender, honest and quite funny.

Luckily The Sessions is never overly sentimental, gimmicky or affected. This is mainly due to the combination of superb acting and the natural flow of the storytelling. Hawkes excels at portraying the immobile O’Brien, with his head always tilted, his back constantly uncomfortably arched he shows all emotions in his face. Never going overboard but playing O’Brien with an appropriate mixture of sincerity, naivety and sense of humour.

But Hunt in the role of Cheryl is no less impressive. Hunt plays Cheryl as a strong, independent, intelligent woman, undoubtedly comfortable in her own body and very aware of her own imperfections and desires.

The Sessions is quite a special film, a story beautifully told, never saccharine or condescending but tender, honest and very real. It really is no wonder that it won both the Audience and the Special Jury Prize at last year’s Sundance Film Festival. Sadly with staggered and limited release it could be quickly overlooked.

By Jensine-Bethna Wall

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A Dark Truth

Andy Gracia in "A Dark Truth"

Radio talk show host and ex-CIA agent Jack Begosian (Andy Garcia) is trying to make sense of his past by seeking the truth in his nightly radio show. But when he is hired by heiress Morgan Swinton (Deborah Kara Unger) to uncover a water crisis-spurred massacre in South America, Begosian sees his chance for redemption.

Sadly The Dark Truth aspires to more than it delivers. The combination of third world exploitation, corporate cover-up and a leading man trying to do the right thing aims to be highly dramatic, yet still weighty, but only succeeds to feel like a made-for-TV movie.  And even though Garcia tries to hold the poorly written script together it is just not enough.  The action scenes are underdeveloped and bland, the plot too fragmented and the characters have no depth. In addition to this the viewer can’t help but feel that well-known actors like Forest Whitaker and Eva Longoria are past their prime.

It seems as if the aspirations of Director/Screenwriter Damian Lee and his budget were too far apart. His attempt to create a disturbing drama like “Blood Diamond” or an action thriller like “Tears of the Sun” with A Dark Truth failed.  And even the cynical and world-weary monologues of Begosian in his recording booth fail to inspire as everything is to obvious or clichés to actually make the audience think.

The Dark Truth may have good intentions but is boring and filled with lacklustre stars, and truthfully not worth the price of a ticket

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